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Thursday, December 31, 2009
I love this movie. If they ever made a director’s cut or Criterion of this film on DVD I would buy it. I truly think not only is it an amazing film but it’s a film that helped define and solidify strong female characters in cinema.
Sarah Connor is an amazing character. She starts the film a waitress who can’t even handle her patrons and ends the film barking orders at Reese, killing the terminator & trying to prepare herself to train her son for the coming wars. It’s a spectacular arch and one that is female empowering on a scale not seen in cinema before it.
My love of Cameron does partially stem from my love of science fiction, and it probably started with this film. I love his visions of the future, dystopic as they are, and the characters these environments create are unique and wonderful to watch.
Sarah Connor: Are you sure you have the right person?
Reese: I'm sure.
Sarah Connor: Come on. Do I look like the mother of the future? I mean, am I tough, organized? I CAN'T EVEN BALANCE MY
CHECKBOOK!
Wednesday, December 30, 2009
A year of 3 Continents, 7 countries, many welcomes, hugs, smiles, laughs, tears and heaps of good byes ... Thanks everyone who I've crossed path with! Was an amazing year!
It's something unpredictable but in the end it's rightI hope you had the time of your lifeTime of your Life- Green dayHappy 2010
Labels: Daily Life
If you haven’t seen it yet go see it and support James Cameron making more movies.
Labels: avatar, cameron, sam worthington, sigourney weaver, zoe saldana
Scrooged is hands down one of my favorite Christmas films, and a movie so funny that like Elf I can watch it any time of year. What makes this film so memorable is that it takes a story we all know so well and manages to combine that with what Bill Murray does best – bizarre comedy.
Frank Cross is a horrible man. He sends the people on his Christmas gift list either a towel or a VCR depending on if he likes them or not. He refuses to give his secretary a bonus. He fires an executive the day before Christmas Eve for disagreeing with him. He’s excited when an old woman has a heart attack from watching his Scrooged promo and it gets published by the media. Cross doesn’t care about anyone and everyone knows it. The slogan posted around his office is “Cross: a thing you nail people to”. Bill Murray is the perfect person to play Frank Cross because he can take all of the self-involved horribleness of Frank Cross and make them almost endearing. You still think Frank Cross is awful, but you laugh at him and get excited when he changes. And there is nothing like watching Murray do his thing on screen, he’s amazing.
You also have to love the ghosts in this film, the most memorable one for most people I talk to is the ghost of Christmas present played by Carol Kane. Kane is a SNL alum like Murray, and their comedy styles mesh very well, but that’s not what makes her character memorable. What makes Kane’s ghost memorable is that she is a hyper fairy in a tutu that beats the crud out of Frank. I don’t mean metaphorically, or emotionally, I mean that at one point she literally hits him with a toaster – and that’s just one thing she hits him with. Kane’s character and Cross spend most of their segment arguing like an old divorced couple and each argument culminates in violence to get Frank magically transported to the next scene he needs to see.
I know the holiday season is wrapping to a close and you may not feel like watching a Dicken’s tale during the march to Valentine’s Day, but I do hope that at some point before Christmas Day rolls around again you will find this film and watch it if you haven’t seen it before.
Director: Richard Donner
Writers: Mitch Glazer & Michael O’Donoghue
Frank Cross: Bill Murray
Claire Phillips: Karen Allen
Lew Hayward: John Forsythe
Brice Cummings: John Golver
Eliot Loudermilk: Bobcat Goldwait
Ghost of Christmas Past: David Johansen
Ghost of Christmas Present: Carol Kane
Preston Rhinelander: Robert Mitchum
Grace: Alfre Woodard
Scrooge: Buddy Hackett
Frank Cross: Do you think I'm way off-base here?
Elliot: Yes. You're, well, you're a tad off-base, sir. That thing looked like The Manson Family Christmas Special.
Nkosi Johnson (born Xolani Nkosi on February 4, 1989(1989-02-04) – June 1, 2001) was a South African child with HIV/AIDS, who made a powerful impact on public perceptions of the pandemic and its effects before his death at the age of 12. He was ranked fifth amongst SABC3's Great South Africans.[1] At the time of his death, he was the longest-surviving HIV-positive born child.
In Wikipedia
Labels: Angola, Wonder wall
Tuesday, December 29, 2009
Somehow Ritchie did what I thought might be impossible, he married his very modern style to a period piece. This blend of classic literature and modern Ritchie gives Holmes the edge that was always under the surface of the character and makes the carriages, waistcoats and constables relatable to a modern audience. Sherlock is a character not a part of his time or the society around him so Ritchie adding his stylized flair to the film is a perfect match.
I know some people that were doubtful that this modern, cheeky Holmes would be at all accurate to the Holmes they remember from the novels. To those that say this I challenge you to reread a Holmes story after seeing the film. Holmes has always been a willing outcast and rebel; he’s bored by convention, doesn’t like society and would prefer to drink, experiment and leer at those below him. Holmes is not neat and tidy; his intellect renders the world around him dull and lifeless and the only escape he has is to solve mysteries. If Holmes doesn’t have a mystery to solve he goes into a state of isolation and depression – just as he did in the books.
The absolute pitch-perfect element in the middle of an already entertaining movie is Downey as Holmes and Jude Law as Watson. These two have fantastic chemistry playing off each and every twitch, sigh or smirk of the other person. The movie is alone worth watching for those two sharing screen time. It’s beyond entertaining to watch Watson try to back out of Holmes’ world out of a sense of duty while Holmes knows just what carrots to drop casually that have Watson eagerly running back into the fray, even though he thinks he doesn’t want to. Law and Downey might be my favorite pairing on screen this year.
I hope that you take the time to go see Sherlock Holmes while it is on the big screen. Not only is the film one of the most entertaining things you would do with your holiday, but now that Guy Ritchie is climbing back to the top of his game it is more than worth applauding.
Director: Guy Ritchie
Writers: Michael Robert Johnson, Anthony Peckham & Simon Kinberg
Sherlock Holmes: Robert Downey Jr.
Dr. Watson: Jude Law
Irene Adler: Rachel McAdams
Lord Blackwood: Mark Strong
Holmes: You've never complained about my methods before.
Watson: I've never complained! When have I ever complained about you practicing the violin at three in the morning, or your
mess? Your general lack of hygiene or the fact that you steal my clothes?
Labels: Wonder wall
White Christmas is a Christmas classic and it deserves this distinction. I cannot go through a holiday season without watching the antics of Phil and Bob at least once. This is a pitch perfect film in casting, concept, and execution. The musical numbers a superb, the jokes funny and the chemistry palpable. This is the kind of movie that the American studio system of its day was known for, it is a grand, visual treat meant to entice viewers away from their televisions and into the theatre to experience a world they would want to be a part of.
For me one of the best things about White Christmas is the interaction between Bing Crosby and Danny Kaye. As Bob & Phil the two are perfectly matched. Bing delivers his performance with the deadpan sentimentality of a crooner and experienced performer, and Danny Kaye combats Bin’s relaxed ease with a frenzy of humor, excitement and quirkiness that makes the pair a perfect odd couple and a treat to watch interact with one another. This is a pairing along the caliber of Walter Matthau and Jack Lemmon, people that have perfect chemistry and know how to match one another in a way that plays incredibly well to an audience.
White Christmas is a film I think everyone should watch around the holidays. If this film can’t help get you into the holiday spirit, nothing can.
Director: Michael Curtiz
Writers: Norman Krasna & Norman Panama
Bob Wallace: Bing Crosby
Phil Davis: Danny Kaye
Betty Haynes: Rosemary Clooney
Judy Haynes: Vera Ellen
Major General Waverly: Dean Jagger
Emma Allen: Mary Wickes
Phil Davis: When what's left of you gets around to what's left to be gotten, what's left to be gotten won't be
worth getting, whatever it is you've got left.
Bob Wallace: When I figure out what that means I'll come up with a crushing reply.
Monday, December 28, 2009
The Princess and the Frog is the first hand drawn Disney animation film in years and I personally was thrilled to see the beautiful images on screen. I think that Disney is hoping this film will do for their animation division what The Little Mermaid did for it years before, but even though The Princess & the Frog is stunning, I don’t think it’s the caliber of the Disney films from my childhood.
Besides the animation, what makes The Princess and the Frog unique is that it is a Disney film entirely affected by feminism. Tiana is a strong woman, independent and not looking for love – she’s a career woman. She works hard to get her restaurant and doesn’t like that Naveen hasn’t had to work for a thing and would rather kick back than put effort into something. What really works about Tianna is that she has to realize, like the modern feminist, that she needs to work hard, but she also needs to find time for the rest of the life she’s been ignoring. This is a feminist character that’s post-yuppie yet somehow ended up as an animated character in New Orleans in the early part of the twentieth century.
I have to say that my favorite character has to be Charlotte. She’s a spoiled little rich girl, but she is hysterical and as if her spunky yet spoiled attitude weren’t enough, her father is voiced by John Goodman and he is a fabulous doting father. I feel like I should be offended for white southerners because of Charlotte, but I just find her too adorable.
It was nice to see Disney return to hand drawn animation again and the visuals and music in The Princess & the Frog are stunning, but I don’t see Pixar or Dreamworks as being threatened. Those films are an entirely different form of animation from hand-drawn and just like stop-motion still exists, there will always be room for hand-drawn along with computer animation.
Directors: Ron Clements & John Musker
Writers: Ron Clements, John Musker & Rob Edwards
Tiana: Anika Noni Rose
Prince Naceen: Bruno Campos
Dr. Facilier: Keith David
Eudora: Oprah Winfrey
James: Terrence Howard
Big Daddy La Bouff: John Goodman
Sunday, December 27, 2009
Labels: Angola
Saturday, December 26, 2009
Friday, December 25, 2009
Thursday, December 24, 2009
In ten-twenty years I think that Buddy the elf will be remembered as one of the iconic characters from this decade.
Elf is an amazing little film. One that I have to watch each and every Christmas, and occasionally even when it’s not the holidays. The single best thing about Elf has got to be the juxtaposition of such an outlandish character as Buddy amidst the utterly normal characters of New York city.
I can’t imagine what it was like to be an actor opposite Will Ferrell in Elf. Everyone is so straight laced and then when you change the camera angle Ferrell will be making a crazy face, eating syrup covered spaghetti, or jumping up and down. On an episode of Dinner for Five James Caan actually talked about how he would have to turn around occasionally to be away from camera and just loose it. Ferrell makes Buddy memorable because of the wild abandon he gives the character, and the direction of Jon Favreau makes the combination of Buddy’s world and harsh New York seamless.
If you haven’t seen Elf I highly recommend that you make sure to see it soon.
Buddy: Actually, I'm a human, but I was raised by elves.
Carolyn: I'm a human... raised by humans.
Buddy: Cool.
Labels: deschanel, elf, james caan, Jon Favreau, will ferrell
Wednesday, December 23, 2009
Although it doesn't feel to me, like we're in Xmas...
My warm wishes from Luanda...Hope you have a good One! =) Beijos xoxoxox
Labels: Angola
Hi, my name is Megan and I am addicted to Supernatural.
I think that’s the first step.
So I use DVD’s like the radio. If I am working on the computer or doing a thousand other mindless tasks I tend to turn on a DVD instead of music. I did this with season one of Supernatural and before I realized it I was already onto season two again…it just happens. That’s part of how I watch so many movies. It’s kind of natural because I spent so many years in school where I’d be watching a movie while taking notes on it – I’m used to multi-tasking.
I am going to attempt to slow down on the Supernatural now so I don’t go through the whole series again while season five is still playing out. But no promises.
Bobby: I know it’s somethin’ big. A storm’s comin’. And you boys, your daddy—you are smack in the middle of it.
Labels: eric kripke, jared padalecki, jensen ackles, supernatural
Tuesday, December 22, 2009
Like any movie that wows me in a game changing way, I had to see Avatar a second time as quickly as possible. This time I saw it in 2D, or standard format to those confused by dimensionality (lil bro, you know who you are). I was shocked by the differences in the viewing style.
I was pleased to see that Avatar works in any format. Cameron knows how to craft a story and he pulls you in. Even without 3D you are concerned about Jake, Neytiri & the Na’vi people and you desperately want to be able to step foot on Pandora with them. This is an engaging story of a love, and a world that you want to be a part of – it’s just good storytelling. What did surprise me is that each way you can view Avatar is a totally different viewing experience.
In 2D in some ways parts of the world of Avatar looked more real – the skin on the animals, the close-ups of the Na’vi faces, the grittiness of part of the world – I could see textures better and it fel like seeing the object they filmed. The 2D experience was much grittier in a good way, Cameron didn’t forget the visceral feel that is needed to the visuals among all of the animation and special effects.
However, as amazing as the film is in 2D, 3D is a whole different ball game. The way Cameron used 3D in Avatar is completely unlike anything I’ve seen before. You literally feel like you are walking through the jungles of Pandora and that you are following Jake around. The very first time Jake opens the eyes of his Na’vi body and is blinking while he tries to focus, you almost feel as though you too are trying to focus your eyes on the surroundings. There was even a time or two that most of the audience tried to swat away bugs or ash that was on screen. This is the closest you can come to actually being on Pandora and making it real.
I can’t wait to see this film again. I desperately hope I can see it in 3D one more time and that perhaps the 3D version will be released on DVD, though I doubt it will be the same quality as the theatrical experience at all.
Jake: Everything is backwards now, like out there is the true world and in here is the dream.
Labels: avatar, cameron, sam worthington, zoe saldana
Monday, December 21, 2009
Part of why the story of Iron Man resonates with me so much is that it hits all the story points I love. You have a flawed character, one that has all the potential in him to be so much more, an insurmountable obstacle that pops up, and the character learns the error of his ways and finds a way to redeem and conquer. When you combine that kind of story with the visuals and heart of Iron Man it’s no wonder I fell in love. This is the kind of movie magic that I fell for as a child, the kind that makes me want to make movies.
I have never been a Marvel girl per say, I was born and raised on the heroes of DC, but with the exception of the Nolan Batman films Marvel is definitely winning the movie war.
Christine Everheart: You've been called the Da Vinci of our time. What do you say to that?
Tony Stark: Absolutely ridiculous. I don't paint.
Christine Everheart: And what do you say to your other nickname, the Merchant of Death?
Tony Stark: That's not bad.
Labels: Iron Man, Jon Favreau, Robert Downey Jr.
Sunday, December 20, 2009
Labels: Angola
Saturday, December 19, 2009