Showing posts with label sam rockwell. Show all posts
Showing posts with label sam rockwell. Show all posts

Friday, December 3, 2010

Iron Man 2

While the original is still my favorite, I love that this expand the universe so much more. I can't wait to see what Marvel is going to do. It's unprecedented.



Agent Coulson: Good luck! We need you!
Tony Stark: More than you know.
Agent Coulson: Not that much!

Wednesday, August 26, 2009

Moon

Sam Bell is employed by Lunar Industries and is two weeks from ending his three year contract stationed alone on the moon harvesting helium-3 Earths leading power source. While counting down the days Sam begins to see things and after an accident wakes up to find another Sam Bell on the station.

So far 2009 has been an incredible year for sci-fi and Moon is one of the sci-fi films that strikes me as not only great but incredibly unique. The film focused on one character and yet manages to be riveting and propel forward into an ever deepening mystery.

Moon would be nothing without Sam Rockwell. He plays two versions of the same character in the film and you can see the differences in the emotional journey each version of Sam Bell is currently at. Rockwell is an amazing actor and his performance in Moon is a testament to that. Both of the characters he plays are Sam Bell but both feel like different characters – it can be an actor & directors dream or nightmare and in Moon it totally works.

Another performance worthy of noting in Moon is Kevin Spacey, the third main character Gerty who is robot tasked with taking care of all of Sam’s needs. I am always amazed when a non-human character can manage to take on a crucial and emotional role in a story comprised by humans. Gerty cannot emote in a traditional way and it is a testament to the prowess of Kevin Spacey and Duncan Jones that Gerty becomes an important and lovable character.

Director: Duncan Jones
Writer: Nathan Parker
Sam Bell: Sam Rockwell
Gerty: Kevin Spacey

Thursday, February 12, 2009

Frost/Nixon

I do love Ron Howard, but for some reason I was not super excited about the prospect of seeing Frost/Nixon, but I still intended to see it because I know Ron Howard makes movies worth seeing. Well, I saw Frost/Nixon today and I can safely say that I was not at all disappointed in it, in fact I was enthralled by the film.

Frost/Nixon is the tale of David Frost who is a British television personality who decides it would be good TV, and exposure for himself to get an interview with Richard Nixon post his abdication of the presidency and the difficulties he faces when he succeeds in getting that interview. For me I think that this movie fell in the same category as The Queen and I was uninterested because I felt no need for another political history lesson. However, just as The Queen surprised me in its ability to entice me Frost/Nixon grabbed me and kept me rooted to my seat without ever feeling like I was watching a history channel dramatization; instead Ron Howard managed to make me feel like I was in the room with Frost and Nixon and their associates watching a game of tennis or a tug-of-war that neither personality could afford to lose.

What I did find delightful was Frank Langella’s portrayal of Richard Nixon. I’ve had the experience of visiting the Nixon library several times as it is remarkable close to my house and have therefore seen way more of Nixon than I ever wanted to; I believe due to this when I watched Langella in the Frost/Nixon trailer I couldn’t help but feel like he was a Nixon imposter, and it bothered me. However, between the talents of Langella and Howard when I was actually watching the film in its entirety Langella became Nixon for me. I am not sure that Langella deserves an Oscar for the performance, but he definitely deserves the nomination as he somehow captures the essence of Nixon’s stubborn ruthlessness and still manages to make him empathetic and slightly likeable.

So far out of all the films that actually scored a best picture nomination this year I’d have to say that Frost/Nixon would get my vote, but I do think they Oscar’s are a forgone conclusion this year and Slumdog Millionaire will be taking home the gold.

Director: Ron Howard
Writer: Peter Morgan
Richard Nixon: Frank Langella
David Frost: Michael Sheen
James Reston, Jr: Sam Rockwell
Jack Brennan: Kevin Bacon
John Birt: Matthew Macfadyen
Bob Zelnick: Oliver Platt
Caroline Cushing: Rebecca Hall
Pat Nixon: Patty McCormack

James Reston, Jr.: You know the first and greatest sin of the deception of television is that it simplifies; it diminishes great, complex ideas, trenches of time; whole careers become reduced to a single snapshot.

Friday, November 7, 2008

I know, I know. If a movie has Christian Bale or Robert Downey Jr. I’ll see it, so it’s no surprise that I am reviewing yet another Christian Bale movie. The shocking part is that I didn’t know A Midsummer Night’s Dream even had Christian Bale in it until I was playing around IMDB about a week ago. When I figured that out of course I had to Netflix it. I am sure most people know at least vaguely what the plot of A Midsummer Night’s Dream is. However, Shakespeare is Greek to a lot of people to I might as well sum it up for you.

The play takes place in Athens and revolves around one of the noblemen who is finally getting married, the whole town is rejoicing. A small play company prepares a play for the event starring their best actor Nick Bottom – who is more than a little conceited about himself and his talents. At the same time there is a love triangle between Lysander, Hermia, and Demetrius. Lysander and Hermia are in love but Hermia’s father does not want the couple to be, and since Demetrius is in love with Hermia her father has consented to the marriage of Hermia to Demetrius. The problem of course is that Hermia does not love Demetrius but her friend Helena does love Demetrius and he won’t give her the time of day. Meanwhile, in the forrest surrounding the city the fairies play but Oberon king of the fairies and Titiana his wife fight.

When night falls Lysander & Hermia flee into the woods to escape her forced marriage and are pursued by Demetrius and Helena. Oberon decides to betwitch Titiana to fall in love with a beast (Bottom who is turned into a donkey), but as he doe this he spies Demetrius spurning Helena and decides that she should have the love she deserves; as such he charges Puck with the mission to track down Demetrius and bewitch him to fall in love with Helena instead of Hermia.

In typical Shakespeare fashion this is where the problem occurs. Puck does bewitch the young Athenian man he finds in the forrest but it’s Lysander not Demetrius. Long story short Demetrius and Lysander both end up fighting over Helena and hating Hermia and both women are confused and angry – Helena thinking she is being teased and Hermia thinking Helena has done something to bring this about. All the while Oberon watches as Titania throws herself at a beast.

What I liked about this version was the fanciful world that was created for the night time in the woods. It did feel like it was an enchanted wood, something that a child would believe was infested with fairies and other magical creatures. What I did not like so much was that this world felt such like a sound stage that when we went to the daytime version of the woods (when the magic was broken) it looked so real it didn’t even seem like part of the same planet. I understand why this was done from a directorial standpoint, you would want two totally and completely different worlds, but there should have been something done in film stock, color palette, etc. to make the two worlds seem like they were part of the same film. I also did not understand the added little nugget having to do with bicycles…but I partially chalk that off to someone wanting to put Puck on a bike and wanting to do the gag with Lysander & Demetrius lifting Helena’s bike.

When I was watching A Midsummer Night’s Dream I was actually shocked by the number of stars that are in the film. Back in 1999 (and judging from the DVD packaging) a lot of these actors weren’t nearly as well known. This totally explains why I didn't know Bale was in the movie. This was prior to Batman & American Psycho, as such Calista Flockhart got billing over Bale. He is not even mentioned on the packaging or shown in the art. Neither is Sam Rockwell.

I did also appreciate that none of these actors made me feel like they couldn’t do Shakespeare. There is always at least one actor in an adaptation that seems like they can’t handle the language or something similar that puts them out of the film for me. I really didn’t have that here. I did have a brief moment where I kept looking at Calista Flockhart and seeing Ally McBeal but that is my thing and has nothing to do with her performance.

On the whole I did find this film really enjoyable and think that it was a worthy effort as far as Shakespeare adaptations go.

Director: Michael Hoffman
Writers: William Shakespeare & Michael Hoffman
Nick Bottom: Kevin Kline
Titania: Michelle Pfeiffer
Puck: Stanley Tucci
Oberon: Rupert Everett
Helena: Calista Flockhart
Lysander: Dominic West
Demeterius: Christian Bale
Hermia: Anna Friel
Theseus: David Strathairn
Hippolyta: Sophie Marceau
Francis Flute: Sam Rockwell

Theseus: No epilogue, I pray you, for your play needs no excuse. Never excuse, for when the players are all dead, there need none to be blamed.

 

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