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Showing posts with label prestige. Show all posts
Showing posts with label prestige. Show all posts
Thursday, January 15, 2009
I have waxed poetically about The Prestige before – but that doesn’t stop me from doing it again. This is a great movie. Quite honestly I cannot find a single flaw in it no matter how hard I try. “Are you watching closely” is the motto woven throughout the film and I can say that I have been watching closely and I still get as much satisfaction out of The Prestige as I did the first time I saw it.
I see a lot of movies, as a result it takes a very unique movie to cause a real jump, fright or tension in me – I recognize the signs and everything that is put into that moment on film so it’s hard to catch me by surprise. No matter how many times I see The Prestige it still makes me tense. This is a story about two rival magicians whose rivalry becomes violent; these men do some really dastardly things to one another until it’s so out of control that they couldn’t stop if they wanted to and every time they do something new to one another I still cringe in anticipation. For me this means Christopher Nolan did his job well.
This is a movie driven by two very powerful actors, two actors that people love and respect but somehow it still doesn’t seem that they truly get the recognition they deserve. In The Prestige Hugh Jackman and Christian Bale manage to do the impossible – they both manage to remain a dominating presence on screen without letting either actor steal the picture. They are amazing to watch and absolutely entertaining to their very core.
One person that I seem to inadvertently ignore every time I write about a movie that has him is the phenomenal Michael Caine. In this film Caine plays Cutter, the man behind the magic tricks, the man that makes all of the magic happen. As always he is witty, charming and capable of assuaging the audiences fears or driving home the gravest of messages. Michael Caine is truly talented and needs more than the one Oscar he has.
Perhaps my absolute favorite aspect of The Prestige is the fact that no matter how many times I watch it I come up with more questions about the film. When I watch so many movies on a constant basis having a film enthrall me and make me question what I’m seeing is the equivalent of a trip to Disneyland for someone that never gets to go, it’s a special treat that I absolutely adore.
Cutter: Now you're looking for the secret. But you won’t find it because of course, you're not really looking. You don't really want to work it out. You want to be fooled.
I see a lot of movies, as a result it takes a very unique movie to cause a real jump, fright or tension in me – I recognize the signs and everything that is put into that moment on film so it’s hard to catch me by surprise. No matter how many times I see The Prestige it still makes me tense. This is a story about two rival magicians whose rivalry becomes violent; these men do some really dastardly things to one another until it’s so out of control that they couldn’t stop if they wanted to and every time they do something new to one another I still cringe in anticipation. For me this means Christopher Nolan did his job well.
This is a movie driven by two very powerful actors, two actors that people love and respect but somehow it still doesn’t seem that they truly get the recognition they deserve. In The Prestige Hugh Jackman and Christian Bale manage to do the impossible – they both manage to remain a dominating presence on screen without letting either actor steal the picture. They are amazing to watch and absolutely entertaining to their very core.
One person that I seem to inadvertently ignore every time I write about a movie that has him is the phenomenal Michael Caine. In this film Caine plays Cutter, the man behind the magic tricks, the man that makes all of the magic happen. As always he is witty, charming and capable of assuaging the audiences fears or driving home the gravest of messages. Michael Caine is truly talented and needs more than the one Oscar he has.
Perhaps my absolute favorite aspect of The Prestige is the fact that no matter how many times I watch it I come up with more questions about the film. When I watch so many movies on a constant basis having a film enthrall me and make me question what I’m seeing is the equivalent of a trip to Disneyland for someone that never gets to go, it’s a special treat that I absolutely adore.
Cutter: Now you're looking for the secret. But you won’t find it because of course, you're not really looking. You don't really want to work it out. You want to be fooled.
Tuesday, September 16, 2008
The Prestige was on one of the movie channels last night and I accidentally tuned into it – and I could not turn it off. I forgot how brilliant The Prestige really is; it is an enthralling film filled with brilliant performances, a great cast and an amazing sotry.
I cannot tell you that the story behind The Prestige is simple as I do with some of my other reviews, nor can I tell you all about it as that would spoil the surprise. What I can tell you is that this film improves with every viewing because more layers of the story become clear to the viewer.
My favorite thing about the film is actually how it is structured; the film is structured like a magic trick. One of the characters sets up this structure at the beginning of the film; every magic trick contains three parts, the pledge where the magician shows you something ordinary but of course it isn’t ordinary, the turn where he takes the ordinary object and makes it extraordinary, and finally the prestige where the pay off of the magic trick is revealed - without the prestige the trick is worthless.
The pledge in this film seems so very ordinary; Cutter, Alfred, Robert & his wife Julia work for a magician and the Robert & Alfred have aspirations to become magicians in their own right. While performing a trick they have done hundreds of times something goes wrong and Julia is killed. Distraught, Robert blames Alfred for Julia’s death and both men leave their positions seeking to better the other as the world’s best magician a rivalry fueled by Robert’s anger at Alfred. Alfred and Cutter join forces to help bring Alfred’s magic to the public.
The turn is the middle of the film; Alfred has lived up to his word and created what appears to be the world’s greatest magic trick and no one can duplicate it. Alfred becomes massively popular and eclipse's Robert’s glory; the two men begin to compete even more than before and each forsee’s the other’s next step. Angered even more, Robert seeks to discover how Alfred’s illusion is managed and finally has Alfred stopped from performing his trick by having him arrested and tried for murder.
The prestige is what I cannot reveal, but it truly is the point in the movie where Christopher and Jonathon Nolan take what seemed to be an ordinary rivalry and turn it into something you never expected and a masterful bit of writing that makes the entire movie that precedes it more worth the viewing. Just like promised, the prestige of this film makes the entire movie worth watching again and again.
When I tell you that this movie is different I am not exaggerating. The story is more complex and layered that I can explain here without ruining everything for you. I think that this movie surprises and confuses people, but it is so worth your time.
Director: Christopher Nolan
Writers: Christopher and Jonathon Nolan
Alfred: Christian Bale
Robert: Hugh Jackman
Cutter: Michael Caine
Julia: Piper Perabo
Olivia: Scarlett Johansson
Tesla: David Bowie
Sarah: Rebecca Hall
Cutter: Every great magic trick consists of three parts or acts. The first part is called "The Pledge". The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But of course... it probably isn't. The second act is called "The Turn". The magician takes the ordinary something and makes it do something extraordinary. Now you're looking for the secret... but you won't find it, because of course you're not really looking. You don't really want to know. You want to be fooled. But you wouldn't clap yet. Because making something disappear isn't enough; you have to bring it back. That's why every magic trick has a third act, the hardest part, the part we call "The Prestige".
I cannot tell you that the story behind The Prestige is simple as I do with some of my other reviews, nor can I tell you all about it as that would spoil the surprise. What I can tell you is that this film improves with every viewing because more layers of the story become clear to the viewer.
My favorite thing about the film is actually how it is structured; the film is structured like a magic trick. One of the characters sets up this structure at the beginning of the film; every magic trick contains three parts, the pledge where the magician shows you something ordinary but of course it isn’t ordinary, the turn where he takes the ordinary object and makes it extraordinary, and finally the prestige where the pay off of the magic trick is revealed - without the prestige the trick is worthless.
The pledge in this film seems so very ordinary; Cutter, Alfred, Robert & his wife Julia work for a magician and the Robert & Alfred have aspirations to become magicians in their own right. While performing a trick they have done hundreds of times something goes wrong and Julia is killed. Distraught, Robert blames Alfred for Julia’s death and both men leave their positions seeking to better the other as the world’s best magician a rivalry fueled by Robert’s anger at Alfred. Alfred and Cutter join forces to help bring Alfred’s magic to the public.
The turn is the middle of the film; Alfred has lived up to his word and created what appears to be the world’s greatest magic trick and no one can duplicate it. Alfred becomes massively popular and eclipse's Robert’s glory; the two men begin to compete even more than before and each forsee’s the other’s next step. Angered even more, Robert seeks to discover how Alfred’s illusion is managed and finally has Alfred stopped from performing his trick by having him arrested and tried for murder.
The prestige is what I cannot reveal, but it truly is the point in the movie where Christopher and Jonathon Nolan take what seemed to be an ordinary rivalry and turn it into something you never expected and a masterful bit of writing that makes the entire movie that precedes it more worth the viewing. Just like promised, the prestige of this film makes the entire movie worth watching again and again.
When I tell you that this movie is different I am not exaggerating. The story is more complex and layered that I can explain here without ruining everything for you. I think that this movie surprises and confuses people, but it is so worth your time.
Director: Christopher Nolan
Writers: Christopher and Jonathon Nolan
Alfred: Christian Bale
Robert: Hugh Jackman
Cutter: Michael Caine
Julia: Piper Perabo
Olivia: Scarlett Johansson
Tesla: David Bowie
Sarah: Rebecca Hall
Cutter: Every great magic trick consists of three parts or acts. The first part is called "The Pledge". The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But of course... it probably isn't. The second act is called "The Turn". The magician takes the ordinary something and makes it do something extraordinary. Now you're looking for the secret... but you won't find it, because of course you're not really looking. You don't really want to know. You want to be fooled. But you wouldn't clap yet. Because making something disappear isn't enough; you have to bring it back. That's why every magic trick has a third act, the hardest part, the part we call "The Prestige".
Monday, July 21, 2008
I told you I was going to, and I bet you all didn’t believe me. I saw The Dark Knight twice in less than 24 hours. That wasn’t originally my intention, but my friends kid begged me to take her and I thought it sounded like fun. On second viewing The Dark Knight is even better than the first time; I could sit back, pay closer attention and notice the details.
One of the things I didn’t have time to spend enough time noticing on the first viewing was the use of daylight in the film. Unlike Batman Begins, this film has a large chunk of activity taking place in the daylight. This underscores the fact that Batman and his activities are infecting more than the dark side of society; he’s begun to infect all of Gotham’s people not just the criminals. The citizens of Gotham are gaining strength, and the criminals are being forced into the daylight and out of the shadows they hid in. Sure everyone knew they were there, but they ignored them until Batman showed that they could be fought against. However, it is this change that makes the most dangerous of them all come out – the Joker.
What I also noticed was something that had the film school academic geek in me absolutely floored. What I assume some of you know, is that symbolically the left side represents evil, and the right represents good; when Tow Face is created it is the left side of Harvey Dent’s face that is permanently scarred and in the process of getting that scar (the actions that led up to it) begin the act that brings to darkness out of Harvey Dent and start the chain reaction that turns him into Two Face. Once the scars are caused it’s quite obvious; more subtle however, is how Dent is lit in all the scenes prior to his turn as Two Face. During every shot I noticed, no matter how subtle Dent is always lit with the major light source illuminating the left side of his face so that the right “good” side of his face is always in somewhat of a shadow, no matter how slight. Thus creating the foreshadowing that Dent will lose his good side and be taken over by the dark natures he has strove to suppress.
This is a summer movie that subtly defies all the rules of summer movies; it is dark, brooding and in essence the good guy doesn’t win. As Christopher Nolan is the masterful filmmaker behind Memento, The Prestige and Insomnia I know that the more I watch The Dark Knight the more layers I will be able to strip away and grasp the deeper meaning behind this film, just like Batman Begins.
The Joker: Where do we begin? A year ago, these cops and lawyers wouldn't dare cross any of you. I mean, what happened?
Gamble: So what are you proposing?
The Joker: It's simple: Kill the Batman.
One of the things I didn’t have time to spend enough time noticing on the first viewing was the use of daylight in the film. Unlike Batman Begins, this film has a large chunk of activity taking place in the daylight. This underscores the fact that Batman and his activities are infecting more than the dark side of society; he’s begun to infect all of Gotham’s people not just the criminals. The citizens of Gotham are gaining strength, and the criminals are being forced into the daylight and out of the shadows they hid in. Sure everyone knew they were there, but they ignored them until Batman showed that they could be fought against. However, it is this change that makes the most dangerous of them all come out – the Joker.
What I also noticed was something that had the film school academic geek in me absolutely floored. What I assume some of you know, is that symbolically the left side represents evil, and the right represents good; when Tow Face is created it is the left side of Harvey Dent’s face that is permanently scarred and in the process of getting that scar (the actions that led up to it) begin the act that brings to darkness out of Harvey Dent and start the chain reaction that turns him into Two Face. Once the scars are caused it’s quite obvious; more subtle however, is how Dent is lit in all the scenes prior to his turn as Two Face. During every shot I noticed, no matter how subtle Dent is always lit with the major light source illuminating the left side of his face so that the right “good” side of his face is always in somewhat of a shadow, no matter how slight. Thus creating the foreshadowing that Dent will lose his good side and be taken over by the dark natures he has strove to suppress.
This is a summer movie that subtly defies all the rules of summer movies; it is dark, brooding and in essence the good guy doesn’t win. As Christopher Nolan is the masterful filmmaker behind Memento, The Prestige and Insomnia I know that the more I watch The Dark Knight the more layers I will be able to strip away and grasp the deeper meaning behind this film, just like Batman Begins.
The Joker: Where do we begin? A year ago, these cops and lawyers wouldn't dare cross any of you. I mean, what happened?
Gamble: So what are you proposing?
The Joker: It's simple: Kill the Batman.
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