Showing posts with label penelope cruz. Show all posts
Showing posts with label penelope cruz. Show all posts

Friday, August 28, 2009

Gothika

Miranda Grey has a good life working with the criminally insane at a mental institution. She is the head therapist and her husband Douglas is in charge of the institution. One night she leaves late in the middle of a downpour and has to take an alternate route home. Half way there she gets in an accident where she sees a burning woman. Three days later Miranda wakes up to find that she is now in the institution because she went home and killed her husband; Miranda insists on her innocence and proceeds to try to find out what really happened while being used by a vengeful spirit and locked in with her former patients.

Gothika is a movie I avoided when I was in film school. I just was not really into Halle Berry after Monster’s Ball, I’m still not the biggest Berry fan. However, I finally broke down and netflixed it when I saw that Robert Downey Jr. was in it, and it was one of his first big films after he was out of prison.

This is an interesting movie. I’d never heard of director Mathiue Kassovitz before but if Gothika is any indication he has a stunningly visual eye; Gothika is an incredibly well shot movie that uses a monotone color palette in a way that somehow makes it pop off the screen. His use of shadows, color, light and movement was the first thing that drew me into the film. Shockingly it was the story and performances that kept me there.

I will be very forward in saying that Gothika is not as original as it thinks it is; while the story is pretty similar to most European/Asian horror, it still has it’s clichéd and predictable moments – the camera movements that clue you into the coming jump, the sound ques, etc. But it does execute them pretty dang well. I actually jumped at one of the jump moments – something that I don’t normally do. But it is predictable, maybe just because I watch so many movies but I was able to figure out a few of the upcoming plot points. It was still pretty entertaining though.

I also found that I liked Halle Berry & Penelope Cruz; both are actresses that I don’t normally enjoy because I think they don’t really do much to add to their characters (other than add sex appeal) but I think Gothika gave them a chance to play different characters and step outside of the pretty girl box. Of course I loved Robert Downey Jr. as well, but we all know that basically goes without saying.

What keeps Gothika from being a really good movie is the end of the film, not the last act but literally about the last 3 minutes of the film. It feels like a studio tack on ending, something that was added because the studio was afraid of Halle Berry’s character having to face up with the dark things that had been done through her when she was possessed. Instead, they literally jump from the denouement where some character threads and questions should be answered to a year later as Penelope Cruz & Halle Berry walk down a street discussing how they are in better mental places now. Everything that you want to see about Miranda, her patients, the doctors and the aftermath of the whole incident is just gone – brushed under an invisible rug and we are in a totally different locale. It feels like a cheat and makes the last hour plus you’ve spent in the world feel like a waste of your time.

If the ending were better, Gothika would be a pretty dang good movie.
Director: Mathieu Kassovitz
Writer: Sebastian Gutierrez
Miranda grey: Halle Berry
Pete Graham: Robert Downey Jr.
Douglas Grey: Charles S. Dutton
Sheriff Ryan: John Carroll Lynch
Phil Parsons: Bernard Hill
Chloe: Penelope Cruz

Chloe: You are not a Doctor in here. And even if you the tell the truth... no one will listen. You know why? Because you're crazy. And the more you try to prove them wrong, the crazier you'll appear. You are invisible now. Can you feel it?

Monday, October 20, 2008

So I finally got along to seeing Vicky Cristina Barcelona, Woody Allen’s latest take on love and romance. I do have to say that the film was worth the wait.

In traditional Allen fashion this is a confused and tangled story of characters looking for their life, their passion and their loves. Vicky and Cristina are best friends though they are as different as can be and decide to head to Vicky’s relative’s in Barcelona for the summer; Vicky is engaged to Doug a devoted but boring man and working on her Masters in Catalan culture, Cristina is a flight artist that cannot decide her medium and doesn’t know what she wants in a romance. Out for dinner one night they meet Juan Antonio who invites them to Oviedo with him for a weekend of culture and love making – he does not hide that this is his motive. Cristina is intrigued by Juan Antonio an pressures rigid Vicky into accompanying her with Juan Antonio. Though Vicky and Juan Antonio don’t immediately hit it off they do end up carrying a flame for each other that they hide as Juan Antonio begins a relationship with Cristina that becomes incredibly complex and eventually includes his ex-wife Maria Elena.

I am someone who has never been affected by the charms of Penelope Cruz, I really don’t think she is that good of an actress – in English. I think too much is going on in her head to translate from Spanish to English and as a result I have never really enjoyed her performances; however, she speaks mainly Spanish in Vicky Cristina Barcelona and I was amazed how large a difference it made in her performance. I can now begin to see the kind of talent that she really has, and I hope she can bring it to an English language film.

It is common knowledge that Scarlett has become Allen’s new muse. The funny thing about Scarlett’s muse status is that Allen didn’t want to work with her. In her first role with Allen in Match Point another actress was slotted in her part and dropped out at the last minute – Scarlett stepped in. Since working with her Allen can’t get enough of her. What was most interesting to me in their latest endeavor is that I believe in essence Scarlett was playing the traditional Allen character. Cristina is the Alvy Singer character who has impossible neurosis, quirky mannerisms, talks far too fast and is the crux of the tale – Cristina is the backbone of the story.

I used to consider Woody Allen an overrated filmmaker. However, in my post-film school life I have actually found a place for him in my film catalog. I deeply enjoy his movies and think that he is a filmmaker that has contributed to the art of film. I thank Scarlet Johansson for taking a last minute role in Match Point and reigniting Woody Allen’s zest for filmmaking.

Director & Writer: Woody Allen
Cristina: Scarlett Johansson
Vicky: Rebecca Hall
Juan Antonio: Javier Bardem
Maria Elena: Penelope Cruz
Doug: Chris Messina
Judy Nash: Patricia Clarkson
Mark Nash: Kevin Dunn
Narrator: Christopher Evan Welch

Juan Antonio: We are meant for each other and not meant for each other. It's a contradiction.

 

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