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Showing posts with label john c reilly. Show all posts
Showing posts with label john c reilly. Show all posts
Saturday, July 18, 2009
Ricky Bobby has a need, a need for speed. Since his father told him that anything other than first place is last place Ricky has strove to be the number one Nascar driver and he has succeeded. Until the fateful day that he pushes his sponsor too far and French driver Jean Girard is brought in as his rival. Ricky Bobby pushes himself too far and ends up in a traumatic accident, losing his wife to his partner, and being forced to move back in with his mother while he tries to regain his mojo an be able to drive again.
Talladega Nights: the Ballad of Ricky Bobby is a pretty damn funny film. I kind of regret that I didn’t get to see it with a theatrical audience because I am sure that the jokes were even better with that current of excitement that runs through movie audiences; however, even on my little 13” TV screen, alone in my room, the jokes were still funny.
I have to say that I am a fan of Will Ferrell. I loved the man since he was Alec Trebec and James Lipton on SNL and I am very pleased that his career has continued since he left the show. The best thing about Will Ferrell is that he commits to the absurdity of his character or story situation 100%, no matter what he plays, who he is on screen with he finds the joy, humor and personality in the moment and brings it to life. This makes the jokes play better than they would with another actor in the role because Ferrell is one of the great comedians – a comedian who can make any joke funny, even if it’s inherently unfunny.
Comedy is subjective, and I expect that Ricky Bobby probably has had quite a few people that have watched it not like it, but I thought it was pretty dang funny.
Director: Adam McKay
Writers: Will Ferrell & Adam McKay
Ricky Bobby: Will Ferrell
Lucius: Michael Clarke Duncan
Cal Naughton Jr.: John C. Reiley
Carley Bobby: Leslie Bibb
Susan: Amy Adams
Jean Girard: Sacha Baron Cohen
Cal Naughton, Jr.: Shake and bake!
Ricky Bobby: What does that do? Does that blow your mind? That just happened!
Jean Girard: Is that a catchphrase or epilepsy?
Talladega Nights: the Ballad of Ricky Bobby is a pretty damn funny film. I kind of regret that I didn’t get to see it with a theatrical audience because I am sure that the jokes were even better with that current of excitement that runs through movie audiences; however, even on my little 13” TV screen, alone in my room, the jokes were still funny.
I have to say that I am a fan of Will Ferrell. I loved the man since he was Alec Trebec and James Lipton on SNL and I am very pleased that his career has continued since he left the show. The best thing about Will Ferrell is that he commits to the absurdity of his character or story situation 100%, no matter what he plays, who he is on screen with he finds the joy, humor and personality in the moment and brings it to life. This makes the jokes play better than they would with another actor in the role because Ferrell is one of the great comedians – a comedian who can make any joke funny, even if it’s inherently unfunny.
Comedy is subjective, and I expect that Ricky Bobby probably has had quite a few people that have watched it not like it, but I thought it was pretty dang funny.
Director: Adam McKay
Writers: Will Ferrell & Adam McKay
Ricky Bobby: Will Ferrell
Lucius: Michael Clarke Duncan
Cal Naughton Jr.: John C. Reiley
Carley Bobby: Leslie Bibb
Susan: Amy Adams
Jean Girard: Sacha Baron Cohen
Cal Naughton, Jr.: Shake and bake!
Ricky Bobby: What does that do? Does that blow your mind? That just happened!
Jean Girard: Is that a catchphrase or epilepsy?
Monday, September 22, 2008
Hard Eight is the directorial debut of visionary filmmaker Paul Thomas Anderson; like most of the movies I watch I really didn’t know what this movie was about when I popped it into my DVD player, but like most of PTA’s movies the blurb on the back of the cover really wouldn’t have done much to help.
The film is about a father-son relationship between Sydney and John. They are not blood relations but they meet one day at a diner in Vegas and Sydney for no apparent reason helps the down and out John get back on his feet by teaching him how to play the system in Vegas. The film them flashes forward to two years later when the two have established their familial bond and are now in Reno dealing with semi-success in their life style of gambling and a whole new set of problems brought on primarily by Jimmy a casino thug and Clementine a confused but warm-hearted hooker who becomes entangled in John’s life.
PTA excels at taking characters that are unsympathetic and making them sympathetic. Sydney is one of these characters. Though at the beginning of the film he appears to be an angel in waiting who graciously swoops into John’s life, PTA later reveals that Sydney is actually hiding something huge from John – the reason that he found him.
For anyone that enjoys Anderson’s style of filmmaking this is a must see. He uses many of his familiar players, and the work is beautiful. The oddest thing about this film is that while it feels like a PTA film it does hold the earmarks of being a first feature and you can see where he managed to evolve from Hard Eight.
Director & Writer: Paul Thomas Anderson
Sydney: Philip Baker Hall
John: John C. Reilly
Clementine: Gwyneth Paltrow
Jimmy: Samuel L. Jackson
Sydney: Tell me something. Are you required to flirt, to behave as you do toward that table of men over there? Maybe... it's some part of your job?
Clementine: Uh, they don't say to do it.
Sydney: But if you don't?
Clementine: Well, then I get questioned, like: "Why were so rude to them?", and, I mean, I can't talk back. I can't tell them to fuck off and leave me alone.
Sydney: As a rule?
Clementine: I'd also lose the tip.
The film is about a father-son relationship between Sydney and John. They are not blood relations but they meet one day at a diner in Vegas and Sydney for no apparent reason helps the down and out John get back on his feet by teaching him how to play the system in Vegas. The film them flashes forward to two years later when the two have established their familial bond and are now in Reno dealing with semi-success in their life style of gambling and a whole new set of problems brought on primarily by Jimmy a casino thug and Clementine a confused but warm-hearted hooker who becomes entangled in John’s life.
PTA excels at taking characters that are unsympathetic and making them sympathetic. Sydney is one of these characters. Though at the beginning of the film he appears to be an angel in waiting who graciously swoops into John’s life, PTA later reveals that Sydney is actually hiding something huge from John – the reason that he found him.
For anyone that enjoys Anderson’s style of filmmaking this is a must see. He uses many of his familiar players, and the work is beautiful. The oddest thing about this film is that while it feels like a PTA film it does hold the earmarks of being a first feature and you can see where he managed to evolve from Hard Eight.
Director & Writer: Paul Thomas Anderson
Sydney: Philip Baker Hall
John: John C. Reilly
Clementine: Gwyneth Paltrow
Jimmy: Samuel L. Jackson
Sydney: Tell me something. Are you required to flirt, to behave as you do toward that table of men over there? Maybe... it's some part of your job?
Clementine: Uh, they don't say to do it.
Sydney: But if you don't?
Clementine: Well, then I get questioned, like: "Why were so rude to them?", and, I mean, I can't talk back. I can't tell them to fuck off and leave me alone.
Sydney: As a rule?
Clementine: I'd also lose the tip.
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