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Wednesday, September 2, 2009
I think I need to see Scent of a Woman. You might think this is an odd way to start a review on Chaplin but you know I’m a bit eccentric and I swear relevance is coming.
I need to see Scent of a Woman because I want to see why it was so applauded; I need to see the performance of Al Pacino. Pacino is an incredibly talented actor who deserves much acclaim, and I need to see this performance because he won the best actor Oscar for it. I need to see it so I can figure out if he should have won over Robert Downey Jr, because to this day I cannot watch Chaplin without marveling over the sheer amount of talent, care, and the complete transformation that happens on screen. I need to see why Downey didn’t get the Oscar, because if he didn’t get it Pacino must just about melt the screen in Scent of a Woman.
Movies about movies hold a special place in my heart, and Chaplin is one of the best. The fact that the film is a true story, an excellently done one at that makes it all the better. I love that I can see the history of the industry in Chaplin and how mixed with our nation and world’s cultures the movies really are. The fact that Chaplin is an excellently made film just makes it all the better.
Mack Sennett: Now I know this is all new to ya, but remember something, we're all new. This is not an ancient industry. This whole place here is built around speed. Start the story, start the chase. I get bored easy.
Rollie Totheroh: How much you reckon Mack? Couple yards of Mabel?
Mack Sennett: Hmm, yeah. Nah, make it three. But don't go thinking we sacrifice quality. I never make more than two motion pictures a week, but I'll spend up to a thousand dollars on each of 'em if I have to.
Wednesday, February 25, 2009
I must first give props to Richard Attenborough because through his wonderful handling of the wild and twisty life of Charles Chaplin the performers life becomes more than just a history lesson, or a example of filmmaking at the start of the industry; the story is one of a man who wanted people to laugh, and wanted to make sure his films had something to say – the story is one that is far reaching and epic, yet rather than feeling long and strenuous the film feels as light and airy as Chaplin’s films were. Attenborough has to capture a main character at many ages, and in many historical eras and it is never labored or satirical. From the choice of costumes to every single actor that passes in front of the lens this film smacks of a director that knew exactly what he was achieving and how he came about it.
No matter who you are you cannot come out of watching Chaplin without being in awe of what Robert Downey Jr. does in that role. It is no wonder that this role garnered Downey his first Academy Award nomination. Like so few actors are truly capable of when you watch Downey portray Chaplin you quickly forget that he is Robert Downey Jr, and all you see if Charlie Chaplin. I can only marvel at exactly how Downey is able to inhabit the shoes of Chaplin so well, from the way the Tramp walked to creating the real life personality there are no missteps in this role. I commend Richard Attenborough for casting Downey, the film could have been something entirely different if another actor were in role.
Director: Richard Attenborough
Writers: William Boyd, Bryan Forbes & William Goldman
Charles Chaplin: Robert Downey Jr.
Hannah Chaplin: Geraldine Chaplin
Sydney Chaplin: Paul Rhys
Oona O’Neill: Moira Kelly
George Hayden: Anthony Hopkins
Mack Sennett: Dan Aykroyd
Mabel Normand: Marisa Tomei
Douglas Fairbanks: Kevin Kline
Mary Pickford: Maria Pitillo
Mildred Harris: Milla Jovovich
J. Edgar Hoover: Kevin Dunn
Paulette Goddard: Diane Lane
Rollie: David Duchovny
Charlie Chaplin: If you want to understand me, watch my movies.




