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Showing posts with label chloe moretz. Show all posts
Showing posts with label chloe moretz. Show all posts
Thursday, June 17, 2010
500 Days of Summer might be one of the most unique romantic films since When Harry Met Sally. Instead of being a story about boy meets girl and they live happily ever after, you find out moments into the film that this is the story of boy meets girl, but boy lost girl. As main character Tom wallows in his break-up from Summer the film jumps around the days in their relationship, exploring the good and the bad working its way until Tom makes peace with the relationship he had and lost.
As someone that’s used a time device to tell a story let me say first that making a non-linear film is hard. Trying to find a device that the audience will understand and stil be able to create a flow and development for the characters is tough – Marc Webb does an excellent job of jumping through time with 500 Days of Summer and never losing Tom and the core of who he is. Of course, as much as this is a compliment to the screenplay and direction, kudos must also be given to Joseph Gordon-Levitt who plays Tom.
Gordon-Levitt is a new entry onto the list of actors I adore and want to work with. He’s always been hovering around that list, but I’ve rewatched a few of his films lately and they have firmly planted him on my list. Gordon-Levitt has a way about his craft that throws him in with the greats; he melts into his characters so that you can’t distinguish the acting from the actor – he becomes the character in a way that makes you as a viewer expect that’s who he is in real life, no matter if he’s playing a former whiz kid with a memory issues (The Lookout) or lovelorn Tom (500 Days of Sumemr). The bottom line is that this guy can act and luckily for those of us that have been watching him since Third Rock from the Sun we’ve gotten to be a part of his journey into being a new Hollywood player.
What sells 500 Days of Summer as a quirky romance-drama-comedy is the fact that together the cast and Marc Webb are able to take on every tonal shift throughout the film without missing a beat, making each of them feel as real and genuine as the what comes before and after them. While I feel this film firmly has it’s tonal feet planted in reality, I would have to say that my favorite scene is the one that follows the first time Tom spends the night with Summer. If you haven’t seen the film the scene involves a blissful Tom walking through the city, getting cheered on by the reflection of Han Solo, cartoon birds landing on his shoulder and a full on musical/dance sequence in the park. This doesn’t seem possible when I’ve described the film as being planted in reality does it? You’re going to have to trust me on this one, as Gordon-Levitt & Webb have found the core of Tom’s character the scene works because it’s a world that Tom has created around him, and it’s the reason he falls so hard.
My Netflix queue is filling up as we speak with more of Gordon-Levitt’s films, so be prepared for what’s to come. I am fascinated with Gordon-Levitt and if the last few films of his are any indication of his body of work, there are going to be more positive reviews in the future of this blog – and he’s going to climb higher on my casting dream list.
Director: Marc Webb
Writers: Scott Neustadter & Michael Weber
Tom Hansen: Joseph Gordon-Levitt
Summer Finn: Zooey Deschanel
McKenzie: Geoffrey Arend
Rachel Hansen: Chloe Moretz
Paul: Matthew Gray Gubler
Vance: Clark Gregg
Tom: What happens when you fall in love?
Summer: You believe in that?
Tom: It's love, it's not Santa Claus.
As someone that’s used a time device to tell a story let me say first that making a non-linear film is hard. Trying to find a device that the audience will understand and stil be able to create a flow and development for the characters is tough – Marc Webb does an excellent job of jumping through time with 500 Days of Summer and never losing Tom and the core of who he is. Of course, as much as this is a compliment to the screenplay and direction, kudos must also be given to Joseph Gordon-Levitt who plays Tom.
Gordon-Levitt is a new entry onto the list of actors I adore and want to work with. He’s always been hovering around that list, but I’ve rewatched a few of his films lately and they have firmly planted him on my list. Gordon-Levitt has a way about his craft that throws him in with the greats; he melts into his characters so that you can’t distinguish the acting from the actor – he becomes the character in a way that makes you as a viewer expect that’s who he is in real life, no matter if he’s playing a former whiz kid with a memory issues (The Lookout) or lovelorn Tom (500 Days of Sumemr). The bottom line is that this guy can act and luckily for those of us that have been watching him since Third Rock from the Sun we’ve gotten to be a part of his journey into being a new Hollywood player.
What sells 500 Days of Summer as a quirky romance-drama-comedy is the fact that together the cast and Marc Webb are able to take on every tonal shift throughout the film without missing a beat, making each of them feel as real and genuine as the what comes before and after them. While I feel this film firmly has it’s tonal feet planted in reality, I would have to say that my favorite scene is the one that follows the first time Tom spends the night with Summer. If you haven’t seen the film the scene involves a blissful Tom walking through the city, getting cheered on by the reflection of Han Solo, cartoon birds landing on his shoulder and a full on musical/dance sequence in the park. This doesn’t seem possible when I’ve described the film as being planted in reality does it? You’re going to have to trust me on this one, as Gordon-Levitt & Webb have found the core of Tom’s character the scene works because it’s a world that Tom has created around him, and it’s the reason he falls so hard.
My Netflix queue is filling up as we speak with more of Gordon-Levitt’s films, so be prepared for what’s to come. I am fascinated with Gordon-Levitt and if the last few films of his are any indication of his body of work, there are going to be more positive reviews in the future of this blog – and he’s going to climb higher on my casting dream list.
Director: Marc Webb
Writers: Scott Neustadter & Michael Weber
Tom Hansen: Joseph Gordon-Levitt
Summer Finn: Zooey Deschanel
McKenzie: Geoffrey Arend
Rachel Hansen: Chloe Moretz
Paul: Matthew Gray Gubler
Vance: Clark Gregg
Tom: What happens when you fall in love?
Summer: You believe in that?
Tom: It's love, it's not Santa Claus.
Friday, April 16, 2010
There are a great many people that are going to find Kick Ass morally reprehensible. I am not one. To the people that do find this film reprehensible I say that you don’t know your comics very well.
Kick Ass may be a film that bases its story in a realistic landscape and has average Joe’s take on the job of super hero to fight the bad guy and gory, realistic mayhem follows this act; however, just as the geeks in the film feel the need to introduce the chicks they like to comic books, I feel the need to point out to these critics of Kick Ass the history of comics as well.
The biggest point I want to make to critics is that the characters in Kick Ass aren’t new. They may be more human than we are used to seeing the leads in a “comic book film”, but they are characters that anyone with a TV, or that goes to the movies has already seen and probably enjoyed in another form and in most cases Kick Ass doesn’t even hide these references from you in the film – in fact what makes this film a piece of pastiche brilliance is that it pushes those references right in front of you – the characters even mention it.
Let’s start with the main character himself – Kick Ass. The real Kick Ass is a high school student, a bit of a dork, who lives in New York and is in love with a girl at school who doesn’t know he exists and eventually decides to fight back against the horrible actions he sees around him. Who does that sound like? Oh yeah, Peter Parker a.k.a. Spiderman. The Spiderman films are some of the highest grossing of all time and I don’t recall anyone ever calling Peter Parker or his actions reprehensible. It must be because there was a radioactive spider involved.
Yet most of the controversy is not over the main character in Kick Ass, it’s all about Hit Girl. Hit Girl is an eleven year old girl who has been trained by her super hero father Big Daddy to follow in his footsteps. Hit Girl kicks more ass than anyone in the film and does it gleefully; she knows her hand guns, knives, smoke bombs, grenades and hand to hand combat. This is a girl the Spartans would have been proud of. Before you ramble on about how terrible it is to see a kid kill bad guys and get beat down I have one name to give you – Robin.
Not only is Hit Girl daughter to Big Daddy, a character everyone in the film compares to Batman, but for many of you that lack the history of Robin let me fill you in. There’s been more than one Robin in the comic books and rarely was he ever as old or manly as Chris O’Donnell. There’s a reason “The Boy Wonder” became Robin’s nickname – he was a child. The first Robin was ten years old, and most Robin’s (there’s been about four) get their butts kicked and two died terrible deaths at the hands of villains. Morally reprehensible much?
I’m not even going to get into who Red Mist’s comic counterpart is at this point because that would be spoilery and the majority of people haven’t seen this film yet. But let’s safely say that I think he exists in the Marvel universe, not the DC. If you don’t know the difference between those two universe’s then you’re probably one of the people that’s going to find this film morally reprehensible.
I hope that Kick Ass helps dispel the myth that comic books and their films are suitable for children. Children everywhere might be familiar with Superman, Batman, Spiderman, Iron Man and even a few of the more lesser known comic characters, but if you ever bothered to pick up an issue of one of their books or a trade paperback you’d soon realize that their stories are not made for children. Batman has his back broken by Bane & nearly dies, Iron Man slowly looses himself to alcohol, Spiderman accidently kills Gwen Stacey & yes, Superman dies.
These are not stories intended for a young child to read just as the R rating in Kick Ass tells you that this is not a movie you should send your six year old to. As with anything in the media the filmmakers and artists expect you to be responsible – be the guardian of your mind and the mind of your child. You have a sixteen year old that you think can handle the film, great – go with them. You have a ten year old that wants to see the cool girl with the purple hair – use your judgment and parent.
I saw Terminator 2 in the theatre and I read the entire Death of Superman as a child but you know why I don’t think I can be shot in the chest and survive? Because my parents walked through fiction with me and explained what fiction meant.
I need to say that I loved Kick Ass. I think it’s a brilliant film, a good character study and one heck of an entertaining movie to watch. I found these characters fascinating and I would love to see if there ends up being a follow up because Dave Lizewski is right – with all those comics and stories out there you’d think someone would have tried to be a super hero by now. With Kick Ass we get to see what that might be like through a safe, fictional pastiche, knowing that in the end no humans, or little girls were harmed in the making of this film.
Director: Matthew Vaughn
Kick Ass/Dave Lizewski: Aaron Johnson
Marty: Clark Duke
Todd: Evan Peters
Katie: Lyndsy Fonseca
Red Mist/Chris C’Amico: Christopher Mintz-Plasse
Frank D’Amico: Mark Strong
Hit Girl/Mindy Macready: Chloe Moretz
Big Daddy/Damon Macready: Nicholas Cage
Dave Lizewski: With no power comes no responsibility.
Kick Ass may be a film that bases its story in a realistic landscape and has average Joe’s take on the job of super hero to fight the bad guy and gory, realistic mayhem follows this act; however, just as the geeks in the film feel the need to introduce the chicks they like to comic books, I feel the need to point out to these critics of Kick Ass the history of comics as well.
The biggest point I want to make to critics is that the characters in Kick Ass aren’t new. They may be more human than we are used to seeing the leads in a “comic book film”, but they are characters that anyone with a TV, or that goes to the movies has already seen and probably enjoyed in another form and in most cases Kick Ass doesn’t even hide these references from you in the film – in fact what makes this film a piece of pastiche brilliance is that it pushes those references right in front of you – the characters even mention it.
Let’s start with the main character himself – Kick Ass. The real Kick Ass is a high school student, a bit of a dork, who lives in New York and is in love with a girl at school who doesn’t know he exists and eventually decides to fight back against the horrible actions he sees around him. Who does that sound like? Oh yeah, Peter Parker a.k.a. Spiderman. The Spiderman films are some of the highest grossing of all time and I don’t recall anyone ever calling Peter Parker or his actions reprehensible. It must be because there was a radioactive spider involved.
Yet most of the controversy is not over the main character in Kick Ass, it’s all about Hit Girl. Hit Girl is an eleven year old girl who has been trained by her super hero father Big Daddy to follow in his footsteps. Hit Girl kicks more ass than anyone in the film and does it gleefully; she knows her hand guns, knives, smoke bombs, grenades and hand to hand combat. This is a girl the Spartans would have been proud of. Before you ramble on about how terrible it is to see a kid kill bad guys and get beat down I have one name to give you – Robin.
Not only is Hit Girl daughter to Big Daddy, a character everyone in the film compares to Batman, but for many of you that lack the history of Robin let me fill you in. There’s been more than one Robin in the comic books and rarely was he ever as old or manly as Chris O’Donnell. There’s a reason “The Boy Wonder” became Robin’s nickname – he was a child. The first Robin was ten years old, and most Robin’s (there’s been about four) get their butts kicked and two died terrible deaths at the hands of villains. Morally reprehensible much?
I’m not even going to get into who Red Mist’s comic counterpart is at this point because that would be spoilery and the majority of people haven’t seen this film yet. But let’s safely say that I think he exists in the Marvel universe, not the DC. If you don’t know the difference between those two universe’s then you’re probably one of the people that’s going to find this film morally reprehensible.
I hope that Kick Ass helps dispel the myth that comic books and their films are suitable for children. Children everywhere might be familiar with Superman, Batman, Spiderman, Iron Man and even a few of the more lesser known comic characters, but if you ever bothered to pick up an issue of one of their books or a trade paperback you’d soon realize that their stories are not made for children. Batman has his back broken by Bane & nearly dies, Iron Man slowly looses himself to alcohol, Spiderman accidently kills Gwen Stacey & yes, Superman dies.
These are not stories intended for a young child to read just as the R rating in Kick Ass tells you that this is not a movie you should send your six year old to. As with anything in the media the filmmakers and artists expect you to be responsible – be the guardian of your mind and the mind of your child. You have a sixteen year old that you think can handle the film, great – go with them. You have a ten year old that wants to see the cool girl with the purple hair – use your judgment and parent.
I saw Terminator 2 in the theatre and I read the entire Death of Superman as a child but you know why I don’t think I can be shot in the chest and survive? Because my parents walked through fiction with me and explained what fiction meant.
I need to say that I loved Kick Ass. I think it’s a brilliant film, a good character study and one heck of an entertaining movie to watch. I found these characters fascinating and I would love to see if there ends up being a follow up because Dave Lizewski is right – with all those comics and stories out there you’d think someone would have tried to be a super hero by now. With Kick Ass we get to see what that might be like through a safe, fictional pastiche, knowing that in the end no humans, or little girls were harmed in the making of this film.
Director: Matthew Vaughn
Kick Ass/Dave Lizewski: Aaron Johnson
Marty: Clark Duke
Todd: Evan Peters
Katie: Lyndsy Fonseca
Red Mist/Chris C’Amico: Christopher Mintz-Plasse
Frank D’Amico: Mark Strong
Hit Girl/Mindy Macready: Chloe Moretz
Big Daddy/Damon Macready: Nicholas Cage
Dave Lizewski: With no power comes no responsibility.
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