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New York, I Love You is the second in the Cities of Love series; this is a ongoing film of anthology films that focus on stories of love, love of the romantic kind and love of the city in which they are set. For those not familiar with the definition of an anthology film it is a group of short films, usually based around the same topic. All of these short films have differing directors and writers and are stitched into one movie.

The first in the Cities of Love series was Paris, Je T’aime. While the differences in the “style” of Paris vs. New York are subtle the basic differences are that Paris was much more fanciful, and the Paris installment did not “stitch” together; while I love Paris, Je T’aime very much it did suffer from each vignette feeling separate and cut off from the others. New York, I Love You does not suffer from this; in order to feel more cohesive New York does not simply jump into the next short, instead it segways or transitions to each new story by meandering around the city. Characters even pop in and out of the background of each others stories to further the feeling of a cohesive environment that all these stories are set in.

My favorite story in the entire film probably had to be the segment with Ethan Hawke. He plays a writer who tries to smooth talk a woman outside of a bar.

I know that what I saw of New York, I Love You was a preview screening this appeared to be a fully finished version of the film – titles, credits and all – and yet I remember hearing that New York, I Love You would contain the directorial debut of Scarlett Johansson. Scarlett is even listed in the directors credit on IMDB and yet her short film segment is not in the movie. I did enjoy the directorial debut of Natalie Portman though.

This is not a film series that everyone will enjoy. However, if you want to experience a non-typical movie, or just something very fun, beautiful and meaningful this is something you should see. New York, I Love You is not a typical romantic comedy.

Directors: Faith Akin, Yvan Attal, Allen Hughes, Sunji Iwai, Wen Jiang, Scarlett Johnasson, Shekhar Kapur, Joshua Martson, Mira Nair, Natalie Portman, Brett Ratner, Andrei Zvyagintsev & Randall Balsmeyer
Maggie: Jacinda Barrett
Molly: Rachel Bilson
David: Orlando Bloom
Mr. Riccoli: James Caan
Johnny: Hayden Christensen
Isabelle: Julie Christie
Gus: Bradley Cooper
Alex: Chris Cooper
Lydia: Drea de Matteo
Garry: Andy Garcia
Writer: Ethan Hawke
Jacob: Shia LaBeouf
Mitzie: Cloris Leachman
Ex-Girlfriend: Blake Lively
Rifka: Natalie Portman
Hooker: Maggie Q
Camille: Christina Ricci
Abe: Eli Wallach
Anna: Robin Wright Penn
Prom Boy: Anton Yelchin

Prom Night is a classic horror film; pre-teen’s Nick, Wendy, Jude & Kelly play a game in an abandoned building and end up bullying younger Robin Hammond who accidently falls out a window to her death, the kids are terrified of getting in trouble so they make a pact to never tell what happened and flee the scene not knowing someone saw them. Robin’s death is blamed on a sex offender captured shortly after her death, and the children never deal with it until six years later on prom night they begin to be stalked and terrorized.

In my opinion Prom Night is utterly stupid. I found it unintriguing, hard to follow and basically bland. I honestly do not understand why this movie is considered a horror classic. I could really like someone to explain that to me.

Other than the thin, incoherent plot what really bothered me was the literal look of Prom Night. The film looks like it was shot on video and though my guess is it was shot on a budget bigger than Halloween, Halloween looked better. Prom Night looked like it was over lit and washed out.

What was interesting about Prom Night was the editing. While I am not 100% the editing trick was done well, it was interesting. The director chose to juxtapose images in flashes to create an ominous setting for the killer so that we never get a complete picture of how he operates or even what he looks like until he is revealed at the dance; the same trick is used to integrate the past into the present. It’s interesting, if a bit overdone.

I also have to say that the disco dance number that was inserted into the middle of the movie was completely stupid and out of place. I don’t understand why it was there or why exactly it went on for so long.

On the positive side it was incredibly interesting to see Leslie Nielsen in a serious role. Though the way he was written was an incredible problem for me; he is the principal of the school and he literally goes to the prom and then disappears for the rest of the movie. Question to the screen writer: where did he go????

Director: Paul Lynch
Writer: William Gray
Mr. Hammond: Leslie Nielsen
Kim Hammond: Jamie Lee Curtis

Kim Hammond: You seem a little anxious, Wendy. By the way, who are going with tonight?
Wendy Richards: It's not who you go with, honey. It's who takes you home.

Miss Congeniality is the tale of Grace Hart, an FBI agent who is less than a girlie girl. When the Miss United States Pageant is threatened the FBI decides to get involved by putting an agent into the pageant; Grace becomes Gracie Lou Freebush and is forced to become the pampered, pulled together girl she never thought she could be to try and find the terrorist. Along the way fellow agent Matthews, pageant consultant Victor and the pageant contestants make Grace realize perhaps she can be more than she thought.

First and foremost my favorite character in this entire movie is Michael Caine’s Victor Melling. Not only does Victor have the best lines in the film, but Caine is utterly convincing as a prissy, uptight gay man who cares more about posture and hair flips than finding a criminal. Caine is absolutely perfect. I would also be remiss if I didn’t comment on the entire supporting cast. William Shatner is Stan the pageant host, Candice Bergen is Kathy the pageant runner, Ernie Hudson is the FBI Assistant Director, and Benjamin Bratt is Agent Matthews. Every character is unique, quirky and utterly memorable.

Sandra Bullock is perfect as Grace Hart. So many actresses could not pull off the transformation of unrefined to super model in one film but Bullock does it, and her comedy timing is perfect. I honestly believe that the movie rides on Bullock’s shoulders and from her serious moments to pratt falls she excels.

While I doubt the sequel is worth seeing the first Miss Congeniality is incredibly entertaining.

Director: Donald Petrie
Writers: Marc Lawrence, Katie Ford, & Caryn Lucas
Gracie Hart: Sandra Bullock
Victor Melling: Michael Caine
Eric Matthews: Benjamin Bratt
Kathy Morningside: Candice Bergen
Asst. Director McDonald: Ernie Hudson
Stan Fields: William Shatner
Cheryl Fraiser: Heather Burns

Victor Melling: In place of relationships, you have sarcasm and a gun!
Gracie Hart: Oh, I have sarcasm? When every word that comes out of your mouth is dripping with disdain?
Victor Melling: Ah! But that is because I am a miserable, grumpy elitist - and that works for me!